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・ Anatoli Sergeyevich Semyonov
・ Anatoli Shelest
・ Anatoli Sigachyov
・ Anatoli Skvortsov
・ Anatole Andrejew
・ Anatole Auguste Boieldieu
・ Anatole Bailly
・ Anatole Beck
・ Anatole Bolin
・ Anatole Boris Volkov
・ Anatole Broyard
・ Anatole Carignan
・ Anatole Cerfberr
・ Anatole Chauffard
・ Anatole Collinet Makosso
Anatole Dauman
・ Anatole de Baudot
・ Anatole de Bengy
・ Anatole de Grunwald
・ Anatole de Monzie
・ Anatole Deibler
・ Anatole Devosge
・ Anatole Djekruassem
・ Anatole Feldman
・ Anatole Fistoulari
・ Anatole France
・ Anatole France (Paris Métro)
・ Anatole Hulot
・ Anatole Ibáñez
・ Anatole Jakovsky


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Anatole Dauman : ウィキペディア英語版
Anatole Dauman
Anatole Dauman (7 February 1925 in Warsaw – 8 April 1998 in Paris) was a French film producer. He produced films by Jean-Luc Godard, Robert Bresson, Wim Wenders, Nagisa Oshima, Andrei Tarkovsky, Chris Marker, Volker Schlöndorff, Walerian Borowczyk, and Alain Resnais.
He was a principal figure in Argos Films, a company that was a very important vehicle in creating opportunities for the "Left bank" filmmakers to emerge from the overall Nouvelle Vague.
==Early life and career==

Anatole Dauman was born in Warsaw in 1925 to a Russian Jewish family and later emigrated to France.
In 1951, he formed Argos Films with Philippe Lifchitz. It was a niche production company with the aim of making films on art which were inspired by the work of the Italian documentary filmmaker Luciano Emmer. Dauman produced the first films of Pierre Kast, Jean Aurel and Chris Marker. In 1953, they gained an advance from a distributor that enabled them to produce Alexander Astruc's ''Crimson Curtain'', which received a ''prime a la qualite''. After that they produced Alain Resnais' ''Night and Fog'' and two films by Chris Marker, ''Sunday in Peking'' and ''Letter from Siberia''.
In 1959, Argos initiated the production of Resnais' ''Hiroshima mon amour''. They also produced Resnais' ''Last Year at Marienbad''. They also produced ''Chronique d'un été'' (''Chronicle of a Summer'') by Jean Rouch and the sociologist Edgar Morin, a documentary which pioneered cinéma vérité. Morin wrote an article describing the film as neither a documentary nor sociology in the January 1960 France-Observateur, he explained that it wasn't intended to describe, rather it is an experience lived by its authors and actors.〔
Marie Michel. 2003. The French New Wave. Oxford: Blackwell. Pp 63-64.〕 Dauman went on to produce two films for Jean-Luc Godard - ''Masculin, féminin'' (1966) and ''Two or Three Things I Know About Her'' (1967). Argos also produced two by Robert Bresson, ''Au Hasard Balthazar'' (1966) and ''Mouchette'' (1967).

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